少数派力量

片中的女孩Few，在两个乞丐剧情中是不存在的。换句话说，回到片中的58分40秒左右，高个乞丐向黑人车内后座看，但镜头中，后座是什么也没有的。但在两个黑人的剧情中（76分50秒左右），女孩是存在的，且女孩是一直存在的。很诡异！而且，高个乞丐向车内看，是一种凝视的眼神，后面女孩向外看，是一种注目的观看，也就是说，高个乞丐似乎是“看”得到女孩的，但观众看不到。联系高个乞丐一直在神神叨叨，以及穿插的媒体、剧情的暗线…                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            一个少年为了给弟弟买药而决定打劫超市；一个骑摩托的女孩送快递路上碰上让她倾心的正在被追杀的男子；两名特工正追捕交给女孩快件的中东人；两个黑帮正开车追杀摩托女碰上的那个男子；两个乞丐在街上无聊地瞎扯。五条故事线，在一个街角碰到一起：两起枪杀，一起撞车。孽缘中的尘世凡人。这就是这部不起眼的电影#少数派力量#的故事。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              当电影开始讲第二个故事时，你其实就已经知道：这又是个玩结构的多线叙事的电影。搁在十年前算是新东西，比如连故事都很像的《11：49》那个电影。放在现在，多线叙事算是被玩剩的东西，很多徒具其表的精巧的电影，其实都已无法打动观众。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             且慢。故事之间突然插进来这个无关的黑人女孩的走路，口中念叨着关于嘴巴里面被自已咬烂是多么痛苦的事。这是要闹哪样？                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       电影继续一个个讲着这几条线。第五条线里，黑人女孩终于走进了那两个黑帮的车里。这时应该是最后一条线了，惨烈的结局已经演了四遍。这个叫FEW的女孩继续跟两黑帮说咬嘴唇的事，劝他们不要干让自已后悔的事。这时，我开始怀疑这次也许会有不同的结局，更开始怀疑这最后一段戏，并不是真的。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 果然，枪杀在最后一刻没有发生，所有的惨烈于是都没发生。五条线上的人，不自知地碰巧出现在同一时间和地点，然后各奔东西，在自已的轨道上继续前进。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         对，每个人都在自已的命运的轨迹上运行，不自知中每个人会与很多人相遇再离开。然而在他们相遇的那一刻那一地，到底有没有发生让他们许多人丧生的枪杀和撞车？不知道，这是电影留给观众的悬念，每个人可能都会有自已的解读。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       而我当时的解读是：悲剧确已发生，最后一段戏仅仅是虚构；而这个救世的黑女孩并不存在，她是个天使的化身。她的名字叫做FEW,暗示她并非世界的凡俗之人，而她所改变的、也并未发生的结局，其实是电影的立意：在一个充斥着罪恶的世界，只有高于凡俗的“少数派”力量，才能真正拯救孽缘中的凡人。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           这个结局莫衷于是的电影勾起我的兴趣，在阅读豆瓣网友的影评时，突然恍然大悟：这个黑人女孩并非天使，她就是耶稣自已。以下是网友挖出来的线索：在电影讲第四个故事（乞丐）时，特别给了黑帮开的车的后座一个一秒的镜头，这时我们看到后座是没有人的。而在说第五个故事时，后座已坐了黑女孩，这说明最后一个故事的乡虚构性；另一方面，当时欧洲正发生惊天动地的刧案：都灵裹尸被盗。快递和特工都已此案有关，而电影让两个乞丐在街上花大段时间闲扯克隆耶稣的荒诞想法，并非没有目的。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              我完全相信这样的解读。原来这个貌似多线条叙述罪案的电影，其实内心里是宗教电影：每个人都是有罪的，每个人在罪恶中都不能自知不能自控，只有基督能让人心弃恶从善，离开罪恶。只有耶稣能拯救罪恶渊薮中的凡人。                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               对，一部有想法，有意思，让人琢磨又让人有一层层惊喜的电影，尽管技法上并非娴熟。到最后实际发生的故事到底是什么结局? 这其实已变得不重要（这就跟《少年派》是一个道理。你可以相信你愿意相信的结局。）不明白为什么IMDB只给它4.9分，可能是因为这是一个完全不知名的新导演的首部作品吧（事实上在IMDB上这个导演连照片都没有一张，还是应该记下他的名字：Leone Marucci.详情不知。).但这的确是我最近看到的相当有趣的美国独立电影，因为它已超越了多线叙事的技巧，因为它直击的，是人心中的恶与善。